As you’re probably aware, Blue Cat’s PatchWork, MB-7 Mixer, Late Replies and Axiom are able to load third-party plug-ins. But did you know that they also all come with many built-in Blue Cat Audio effects and utility plug-ins? There’s so many of them that they’re almost hard to keep track of. So here’s a walkthrough of what you get. First—why do we call them “built-in”? Because if you get them as part of these “host-in-the-host” style plug-ins, they can only be used inside of those plug-ins. Which is of course what you would probably do anyway. All of the built-in plug-ins include the standard features that all Blue Cat Audio plug-ins have: they come loaded with presets, support MIDI learn and MIDI program change, Many of them also include tone maps support.
Blue Cat Audio’s PatchWork is a plug-in in which you can load up to 64 other plug-ins. How is that useful? Here are five reasons.
1. Easy management and recall of your template plug-in chains Many mix engineers find they often reuse specific combinations of plug-ins for similar sound sources. For example one template plug-in chain for bass guitar, one for vocals, and another for the master bus. PatchWork makes it easy to manage and recall these plug-in chains—just save a preset and quickly recall it at any time. You can combine any VST, VST3 or AU plug-ins, from any brand.
2. Quickly switch between different plug-ins or plug-in chains PatchWork allows you to create eight parallel plug-in chains. So for example, you can create one PatchWork preset for bass guitar. In that preset, you add one plug-in chain for picked rock bass, one for present finger-style playing, one for fat reggae bass, one for slapping … and then you simply switch between them depending on the track you’re working on.
In a similar way, you can of course also use PatchWork to make side-by-side comparisons between individual plug-ins. Which compressor plug-in is really the best choice for this particular track? Add your candidates to PatchWork and quickly switch back and forth between them.
3. Create simple or complex plug-in chains with the effects in series or in parallel PatchWork makes it easy for you to get creative. Not only can you add eight plug-in chains, but you can also run them in parallel and set their relative levels.
4. Combine synths and instruments to create new exciting sounds This also works with synths and instruments. With PatchWork Synth (included in the purchase), you can add synths and instruments and create entirely new sounds and textures by combining them. Of course, you play them all simultaneously from a single MIDI keyboard or controller.
5. Use identical plug-in chains and settings across different DAWs Saving your effects or instrument chains in PatchWork as opposed to in your DAW means you can open those plug-in chains independent of the DAW. So if you switch between DAWs depending on your clients’ or collaborators’ preference, or work in different studios, you can always take your PatchWork presets with you and recall them in any DAW.
Blue Cat’s Axiom, Late Replies, Patchwork & MB-7 Mixer plug-ins all come bundled with a long list of built-in effects, including this unique Reverb plugin. Learn more about its settings, how they influence the sound of the produced reverberation, and get started with some good basic settings for different uses.
Have you ever wished that you could use all your virtual instruments libraries for your keyboards or all these incredible virtual amps from your studio for your guitar or bass on stage?
Make your wish come true, then: most laptops are now powerful enough, and with lightweight host applications such as PatchWork and Axiom, you can load many instrument or effect plug-ins and recall them instantly. Just play them on stage! Continue reading →
The traditional way to manage stereo streams is to use separate left and right channels sources. There is however another way: by recombining these left and right channels, you can actually separate the mid channel (mono or center) from the sides channel (stereo part of the signal).
Processing these recombined mid/side channels instead of the traditional left/right stereo pair is called mid/side processing and it can be very convenient because you can apply different effects to the mono (mid) and stereo (sides) parts of the signal.
It’s time for the NAMM News of the day: we’ve got updates for our Plug-in hosts today (our plug-ins or standalone applications that can host third party VST, VST3 or Audio Unit plug-ins)! Continue reading →
Blue Cat’s Destructor 1.21 is a maintenance release that fixes an issue appeared with version 1.2. It is highly recommended to update as the sound of the plug-in is impacted by this bug appeared in version 1.2. You can read more details here.
Blue Cat’s PatchWork 2.11 improves presets management and fixes a problem with the VST3 instrument version in Cubase:
Cubase has a bug with VST3 instruments and sets the last loaded preset number after having restored their state (which is not supposed to happen). The impact depends on the implementation, but for our own plug-ins, this used to fully reset the state of the plug-in upon session restore. As of Cubase 9.5 it has still not been fixed, so we have decided to implement a workaround to avoid this problem. As a result, factory presets are not exposed to the host anymore, which is not a big loss anyway!