As you’re probably aware, Blue Cat’s PatchWork, MB-7 Mixer, Late Replies and Axiom are able to load third-party plug-ins. But did you know that they also all come with many built-in Blue Cat Audio effects and utility plug-ins? There’s so many of them that they’re almost hard to keep track of. So here’s a walkthrough of what you get. First—why do we call them “built-in”? Because if you get them as part of these “host-in-the-host” style plug-ins, they can only be used inside of those plug-ins. Which is of course what you would probably do anyway. All of the built-in plug-ins include the standard features that all Blue Cat Audio plug-ins have: they come loaded with presets, support MIDI learn and MIDI program change, Many of them also include tone maps support.
So let’s take a look at what it is you get! Continue reading
Initially designed to navigate presets in 2D and create new guitar amp tones in Destructor and Axiom by morphing between presets (See this tone explorer video for more details), tone maps have now been implemented in several built-in effects that can be found in Axiom, PatchWork, MB-7 Mixer and Late Replies.
Let’s see how this new feature may change your approach to sound design and plug-in control for other types of effects.
Blue Cat’s Axiom, Late Replies, Patchwork & MB-7 Mixer plug-ins all come bundled with a long list of built-in effects, including this unique Reverb plugin. Learn more about its settings, how they influence the sound of the produced reverberation, and get started with some good basic settings for different uses.
The traditional way to manage stereo streams is to use separate left and right channels sources. There is however another way: by recombining these left and right channels, you can actually separate the mid channel (mono or center) from the sides channel (stereo part of the signal).
Processing these recombined mid/side channels instead of the traditional left/right stereo pair is called mid/side processing and it can be very convenient because you can apply different effects to the mono (mid) and stereo (sides) parts of the signal.
Many of our audio plug-ins provide a mid/side option, but how can you use this approach with any third party plug-in? Continue reading
Delays are omnipresent in our modern productions, and while the basic purpose of a delay is to repeat signals, you can get some interesting stereo image effects using different L & R repetitions. Here’s a very simple tip on how to do that and which will never fail on you. Let’s use the Blue Cat’s Late Replies delay plug-in on a guitar track.
Blue Cat’s Axiom is now available for purchase, alone or as part of the new Axe Pack bundle.
If you are already a registered customer, we propose you several upgrade paths, depending on the software that was already registered before this announcement: Continue reading
It’s Day Three at NAMM, and we still have news for you! Better late than never…
Blue Cat’s Late Replies 1.1
Included in the new Blue Cat’s Axiom, Late Replies has also been available as an independent plug-in for a couple of months… Time for an update, right?
The new Late Replies 1.1 will feature all our plug-ins hosting improvements developed for Axiom and a few more things: Continue reading
It’s time for the NAMM News of the day: we’ve got updates for our Plug-in hosts today (our plug-ins or standalone applications that can host third party VST, VST3 or Audio Unit plug-ins)! Continue reading
Our distortion and amp simulation plug-in, Blue Cat’s Destructor, already includes a handful of factory presets that mimic the tone of famous guitarists (check out the “Guitar Legends” presets category!), but we wanted to take it a step further…
Our friend Hans Van Even has accepted the challenge to reproduce the exact guitar tone of famous guitar licks, using only Blue Cat’s Destructor, and sometimes a delay or reverb, such as Blue cat’s Late Replies, with a single guitar!
Did he succeed? Check out the videos below! We must say we have been pretty impressed… Continue reading