With the release of PatchWork 2.5, and in the latest previews of Axiom, MB-7 Mixer and Late Replies, a new multicore processing feature has been introduced to get the best real time performance out of modern CPUs.
Let’s see what’s hidden behind this new feature, how it works and why you care about it for your audio effects and instruments!
The Miaow Wah is a plug-in available in AXIOM, Patchwork, Late Replies & MB7 mixer. This is probably one of the most versatile and complete Wah plug-in on the market thanks to the additional editor which gives you endless filter possibilities and let’s you customize the Wah or auto-filter effect to your needs.
The Miaow Wah comes with tons of presets built after classic Wah pedals, but also brings some unique original FX. Continue reading →
Flanger and Phaser are both modulation effects that create deep filters sweeping around the spectrum over time. But they are produced by different means, and they do not sound the same. So what’s the difference between both phasing and flanging?
It was the opportunity to meet great people (most of them guitar addicts), wear odd face masks, exchange ideas and licks, discover new guitars, and also shoot a couple of videos, demonstrating and discussing our guitar software.
It was definitely worth the 2000 kilometers drive, especially if you consider that all other events in the industry have been cancelled so far. Here are the first videos shot during the event and a couple of pictures to show you the place. Continue reading →
Delay is perhaps one of the most well-known and often or even over-used effects in music production. Since the early days of rock’n roll recordings in the 50s, tape delay was an important part of the sound: the slapback guitars, the beefed-up vocals. Creative use of tape delay would follow in the 60s with pioneering artists such as Jimi Hendrix and Pink Floyd. About that time, delay also got easier to handle when Philips brought out the Bucket Brigade Device (BBD) chip that could delay a signal electronically, making bulky and fragile tape machines redundant.
As you’re probably aware, Blue Cat’s PatchWork, MB-7 Mixer, Late Replies and Axiom are able to load third-party plug-ins. But did you know that they also all come with many built-in Blue Cat Audio effects and utility plug-ins? There’s so many of them that they’re almost hard to keep track of. So here’s a walkthrough of what you get. First—why do we call them “built-in”? Because if you get them as part of these “host-in-the-host” style plug-ins, they can only be used inside of those plug-ins. Which is of course what you would probably do anyway. All of the built-in plug-ins include the standard features that all Blue Cat Audio plug-ins have: they come loaded with presets, support MIDI learn and MIDI program change, Many of them also include tone maps support.
Blue Cat’s Axiom, Late Replies, Patchwork & MB-7 Mixer plug-ins all come bundled with a long list of built-in effects, including this unique Reverb plugin. Learn more about its settings, how they influence the sound of the produced reverberation, and get started with some good basic settings for different uses.