The difference between this harmonizer and the built-in pitch shifter Continue reading
Flanger and Phaser are both modulation effects that create deep filters sweeping around the spectrum over time. But they are produced by different means, and they do not sound the same. So what’s the difference between both phasing and flanging?
The effects used here are the built-in Phaser and Flanger plug-ins available in AXIOM, Patchwork, Late Replies & MB7 mixer software. They are very capable plug-ins that can produce both vintage and modern sounds. Continue reading
It was the opportunity to meet great people (most of them guitar addicts), wear odd face masks, exchange ideas and licks, discover new guitars, and also shoot a couple of videos, demonstrating and discussing our guitar software.
It was definitely worth the 2000 kilometers drive, especially if you consider that all other events in the industry have been cancelled so far. Here are the first videos shot during the event and a couple of pictures to show you the place. Continue reading
Delay is perhaps one of the most well-known and often or even over-used effects in music production. Since the early days of rock’n roll recordings in the 50s, tape delay was an important part of the sound: the slapback guitars, the beefed-up vocals. Creative use of tape delay would follow in the 60s with pioneering artists such as Jimi Hendrix and Pink Floyd. About that time, delay also got easier to handle when Philips brought out the Bucket Brigade Device (BBD) chip that could delay a signal electronically, making bulky and fragile tape machines redundant.Continue reading
As you’re probably aware, Blue Cat’s PatchWork, MB-7 Mixer, Late Replies and Axiom are able to load third-party plug-ins. But did you know that they also all come with many built-in Blue Cat Audio effects and utility plug-ins? There’s so many of them that they’re almost hard to keep track of. So here’s a walkthrough of what you get. First—why do we call them “built-in”? Because if you get them as part of these “host-in-the-host” style plug-ins, they can only be used inside of those plug-ins. Which is of course what you would probably do anyway. All of the built-in plug-ins include the standard features that all Blue Cat Audio plug-ins have: they come loaded with presets, support MIDI learn and MIDI program change, Many of them also include tone maps support.
So let’s take a look at what it is you get! Continue reading
Initially designed to navigate presets in 2D and create new guitar amp tones in Destructor and Axiom by morphing between presets (See this tone explorer video for more details), tone maps have now been implemented in several built-in effects that can be found in Axiom, PatchWork, MB-7 Mixer and Late Replies.
Let’s see how this new feature may change your approach to sound design and plug-in control for other types of effects.
Blue Cat’s Axiom, Late Replies, Patchwork & MB-7 Mixer plug-ins all come bundled with a long list of built-in effects, including this unique Reverb plugin. Learn more about its settings, how they influence the sound of the produced reverberation, and get started with some good basic settings for different uses.
The ambient guitar style heavily relies on effects: volume swells, delays, shimmer reverbs, drones…
There’s never enough plug-ins or pedals to discover new tones and expand your horizons, because tone is a great source of inspiration!
Check out these ambient guitar video examples, and see if you get inspired too!
An Ambient Guitar Tutorial for Axiom, by Chords of Orion
See what happens when Chords of Orion discovers Blue Cat’s Axiom…
The traditional way to manage stereo streams is to use separate left and right channels sources. There is however another way: by recombining these left and right channels, you can actually separate the mid channel (mono or center) from the sides channel (stereo part of the signal).
Processing these recombined mid/side channels instead of the traditional left/right stereo pair is called mid/side processing and it can be very convenient because you can apply different effects to the mono (mid) and stereo (sides) parts of the signal.
Delays are omnipresent in our modern productions, and while the basic purpose of a delay is to repeat signals, you can get some interesting stereo image effects using different L & R repetitions. Here’s a very simple tip on how to do that and which will never fail on you. Let’s use the Blue Cat’s Late Replies delay plug-in on a guitar track.