It was the opportunity to meet great people (most of them guitar addicts), wear odd face masks, exchange ideas and licks, discover new guitars, and also shoot a couple of videos, demonstrating and discussing our guitar software.
It was definitely worth the 2000 kilometers drive, especially if you consider that all other events in the industry have been cancelled so far. Here are the first videos shot during the event and a couple of pictures to show you the place. Continue reading →
Delay is perhaps one of the most well-known and often or even over-used effects in music production. Since the early days of rock’n roll recordings in the 50s, tape delay was an important part of the sound: the slapback guitars, the beefed-up vocals. Creative use of tape delay would follow in the 60s with pioneering artists such as Jimi Hendrix and Pink Floyd. About that time, delay also got easier to handle when Philips brought out the Bucket Brigade Device (BBD) chip that could delay a signal electronically, making bulky and fragile tape machines redundant.
As you’re probably aware, Blue Cat’s PatchWork, MB-7 Mixer, Late Replies and Axiom are able to load third-party plug-ins. But did you know that they also all come with many built-in Blue Cat Audio effects and utility plug-ins? There’s so many of them that they’re almost hard to keep track of. So here’s a walkthrough of what you get. First—why do we call them “built-in”? Because if you get them as part of these “host-in-the-host” style plug-ins, they can only be used inside of those plug-ins. Which is of course what you would probably do anyway. All of the built-in plug-ins include the standard features that all Blue Cat Audio plug-ins have: they come loaded with presets, support MIDI learn and MIDI program change, Many of them also include tone maps support.
Blue Cat’s Axiom, Late Replies, Patchwork & MB-7 Mixer plug-ins all come bundled with a long list of built-in effects, including this unique Reverb plugin. Learn more about its settings, how they influence the sound of the produced reverberation, and get started with some good basic settings for different uses.
The traditional way to manage stereo streams is to use separate left and right channels sources. There is however another way: by recombining these left and right channels, you can actually separate the mid channel (mono or center) from the sides channel (stereo part of the signal).
Processing these recombined mid/side channels instead of the traditional left/right stereo pair is called mid/side processing and it can be very convenient because you can apply different effects to the mono (mid) and stereo (sides) parts of the signal.
Delays are omnipresent in our modern productions, and while the basic purpose of a delay is to repeat signals, you can get some interesting stereo image effects using different L & R repetitions. Here’s a very simple tip on how to do that and which will never fail on you. Let’s use the Blue Cat’s Late Replies delay plug-in on a guitar track.